Metaphorically Speaking…

Ever metaphor you didn’t like? Wait, no – but yes, maybe I did.

(That was lame.)

That’s why we’re Writing All Wrong.

What make a good metaphor, cultural or otherwise?

—Jaime Latcheson, Franklin, Pa.

Whoa. People don’t ask such questions these days. Most just assume that can write because they can string a sentence together. Bravo.

This could make for a whole series, but I’ll pass.

Extended metaphor

This is where you “come out and say it” by not saying it, a la Moby-Dick in Moby-Dick (an extended metaphor about, the universe or something) or the Mississippi River in [anything by Mark Twain]. Like a symbol, it’s presence pervades, backdropping the story with underlying, unspoken meaning.

So make it big, but not obvious. A mural explaining the character’s history? A wall of hieroglyphics? No.

Apprehension

Metaphor is both won and lost on its audience. Good luck if you’re plying your trade in science fiction and fantasy, because only you will get the references if you’re writing about “her eyes were bluish, time-refractive orbs that shone with the steadfastness of a pulse controller,” or “Charl’s reign was a fire-coated, scorpion-tailed Wyrxshith raining down spite and misery upon the peasants.”

Make it recognizable, unless your readers are you. 

Getting too fancy

Let’s take this example (from Wikipedia, no less): “The man’s arm exploded with pain, spiderwebs of fire crawling up and down its length as the tire of a passing car crushed it.

Exploded with pain? I get that.

Spiderwebs of fire? Huh? You lost me. I don’t care if you’re aiming for shape. Even if you’re able to get a spiderweb to burn for longer than a second, I’ll be damned if you get it to crawl.

Getting creative

“Her face radiated, a rising sun of happiness working her way through her dainty features.”

“He stared ice cold into the obsidian rock of night.”

Oh. My. God. I have never before seen happiness compared to sunrise, nor cold compared to staring before! You must be a genius, an unparalleled craftsman among writers. I would never have thought to join such images. Amazing.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).

Don’t Feel Like Writing Anymore?

Sometimes you’re not even writing anything to begin with. Or you’ve stalled, and that’s that. Your writing is problem enough as is, but lacking writing altogether is another pain entirely.

That’s why we’re Writing All Wrong.

What do you do if you don’t feel like writing anymore?

—Tanner Allnutt, Grand Junction, Colo.

I don’t think anyone “feels like writing” all the time. If you do feel that way, congratulations: you’re a robot. But since you don’t — don’t fret right away. For starters, you’ve confirmed that you’re human. That’s worth something. But if you don’t feel like writing anymore, let’s explore why.

“I just finished a novel.” — Valid excuse, but not for long. There’s another work out there needing to be written. You don’t just whip up a banquet and declare you’re “finished with cooking.”

“I just finished a short story.” No, and WHAT THE— you can’t peter out after a short story. That’s the law.

“I’m busy with work.” — Only applies if you have a real job. Not one of those “fart around and time my appearance work when the boss strolls around” jobs, or one where you can rip off tweets every half-hour. If you can do that, you can write.

“I’m looking for work.” Easy! Write. That’s work. You found it! Congrats.

“I can’t think of where to go with my story.” — And of course, your answer is nowhere. I’d hate to be a passenger in your car if you ever got lost.

“I ran out of ideas.” — No.

Life has a way of…” — No…

I only write when I feel like—” No

Here’s the rub: Writing is not a “do when I feel like it” kind of hobby. If that’s been the case for you, find another hobby, like drinking and boozing. No one has trouble feeling the need to do that.

Perhaps that’s it. Are we “needing to feel” like writing, or do we “feel the need?” You can chase a feeling all you want, but a need chases you. If you go without needing to write, then of course you won’t always feel like writing. And in most cases, you won’t. But if you need to do it, one way or another – you’ll do it.

You can suppress feelings until the end of time. Distractions, cheap thrills, procrastinations, obstinacy: you will find an easier feeling, all the time. But a need? No. You need to smoke, drink, eat, party, coffee, drink some more, sleep, all the essentials and the non-essential essentials. They’re at your core, and you will do them even to your ruin.

If you don’t feel like writing anymore? That’s great. Join the club. You’ll get over it. Back to work.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).

You Are Nothing if Not Critical

Hello, dozen or so readers:

We’re back to the scheduled regularness. My second-written, first-to-be-offered novel—The Travels of Sir Michael Zazu—is off looking for a publisher. Wish it well for me. Thanks.

In the meantime, there’s still a lot of bad writing out there.

That’s why we’re Writing All Wrong.

Hey, did you see this article: http://www.slate.com/articles/arts/books/2012/08/writers_and_readers_on_twitter_and_tumblr_we_need_more_criticism_less_liking_.html 

It’s almost like they read your blog, that is, if your blog were popular enough to read, LOL!

—Brad Millen, Akron, Ohio

I hate you. But I don’t hate the point you make.

But please, do give the article a read. It’s much more fun to read the same sort of material from someone more famous. (Done? Yay, great.)

It’s exactly why writing has become more of a sham than it deserves. Schools haven’t failed, creatives haven’t been squelched, and literacy hasn’t plummeted as much as people support.

It’s because writers are too nice. 

Nice to each other, nice to simpering fans, nice to anyone who will review for publicity, retweets, snacks, whatever. Amidst all the niceness, we’ve lost what makes writing better. You are nothing if not critical, and here’s why:

Too much niceness spoils the broth

“Oh, I love everything you do, write, and say! I love sticking @ mentions of you in my Tweets, and liking all your Facebooks and Google Plusses! I want to polygamously marry you and be wedded to your infinite goodness!”

Yeah, because that’s going to prompt good reading and/or writing. Love and hatred both falter when sharing the same blindfold.

Criticism ≠ hate

The social media honeypot abounds with sticky, sappy, gooeyness, but not enough bees. You are not a “hater” if you rightly point out a flimsy plot, stilted characters, or poor word choices across the board. You have a right to demand excellence, even if your favorite author and her fans won’t retweet it.

Fan of great writing, or fan of attention?

Which writer are you going to enjoy more: the one who acknowledges your measly existence from his lofty pedestal, or the one who writes well and couldn’t be bothered to reply to you?

Why are you a fan? No, seriously: ask that question. Don’t lie with a good answer. What about this author tickles you, makes you smile each day, enriches your life?

It’s the fact that they connect with you, isn’t it? It’s that you feel like you’re a part of their “community,” their fan base, yes? And you wouldn’t dare say an untoward thing about what they do, no? They might just—gasp—unfriend you.

I’m not saying that every popular author can’t write worth beans. But if popularity and “connectability” are the new standards of excellence, then we’ve got more going all wrong than just writing.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).