Don’t Feel Like Writing Anymore?

Sometimes you’re not even writing anything to begin with. Or you’ve stalled, and that’s that. Your writing is problem enough as is, but lacking writing altogether is another pain entirely.

That’s why we’re Writing All Wrong.

What do you do if you don’t feel like writing anymore?

—Tanner Allnutt, Grand Junction, Colo.

I don’t think anyone “feels like writing” all the time. If you do feel that way, congratulations: you’re a robot. But since you don’t — don’t fret right away. For starters, you’ve confirmed that you’re human. That’s worth something. But if you don’t feel like writing anymore, let’s explore why.

“I just finished a novel.” — Valid excuse, but not for long. There’s another work out there needing to be written. You don’t just whip up a banquet and declare you’re “finished with cooking.”

“I just finished a short story.” No, and WHAT THE— you can’t peter out after a short story. That’s the law.

“I’m busy with work.” — Only applies if you have a real job. Not one of those “fart around and time my appearance work when the boss strolls around” jobs, or one where you can rip off tweets every half-hour. If you can do that, you can write.

“I’m looking for work.” Easy! Write. That’s work. You found it! Congrats.

“I can’t think of where to go with my story.” — And of course, your answer is nowhere. I’d hate to be a passenger in your car if you ever got lost.

“I ran out of ideas.” — No.

Life has a way of…” — No…

I only write when I feel like—” No

Here’s the rub: Writing is not a “do when I feel like it” kind of hobby. If that’s been the case for you, find another hobby, like drinking and boozing. No one has trouble feeling the need to do that.

Perhaps that’s it. Are we “needing to feel” like writing, or do we “feel the need?” You can chase a feeling all you want, but a need chases you. If you go without needing to write, then of course you won’t always feel like writing. And in most cases, you won’t. But if you need to do it, one way or another – you’ll do it.

You can suppress feelings until the end of time. Distractions, cheap thrills, procrastinations, obstinacy: you will find an easier feeling, all the time. But a need? No. You need to smoke, drink, eat, party, coffee, drink some more, sleep, all the essentials and the non-essential essentials. They’re at your core, and you will do them even to your ruin.

If you don’t feel like writing anymore? That’s great. Join the club. You’ll get over it. Back to work.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).

How Long Should Your Book Be?

I’m not much for maths. (That would make a great blog title though—please don’t steal it. My trademark and intellectual property lawyers are better than yours.) But I must admire the lack of debate about the basics. How long is a foot? How much does a pound weigh? And, yes, you could debate it further, but at the end of the day, one-hundred centimeters make a centometer. Or something. I’m not much for maths.

Try asking “How long is a novel?” Math folks: you are right to mock us.

That’s why we’re Writing All Wrong.

Dear Writing All Wrong:

Dumb question, but how long should my book be?

—Nancy Mears, Cranston, R.I

You know how people always say, “There’s no such thing as a dumb question?” People say that.

Nancy, I don’t know. Depending on genre, audience, writing style, whether you want to publish, your book could and should be many lengths.

Let’s run a few tests and see if it’s “too long,” “too short,” or “just right.”

You wrote a 50,000-word magnum opus for NaNoWriMo: TOO SHORT

Your book contains Volume (any number here) in the title: TOO LONG 

You’re writing science fiction: TOO LONG

Backstory is essential to you: TOO LONG

You can read your book in one sitting: TOO SHORT

You can read your book in one sitting on the toilet: WAY TOO SHORT 

Makes for a great read on a cross-country road trip: TOO SHORT

Makes for a great read while driving that cross-country road trip: WAY TOO SHORT

Easy read during hard work: TOO SHORT

Hard read during easy work: TOO LONG

Can’t finish it during one of your numerous month-long vacations: TOO LONG

Would make Tolstoy look like a lightweight: TOO LONG

Would make Borges look like a heavyweight: TOO SHORT

A page-turner: TOO SHORT 

Your bookmark disintegrates before you finish: TOO LONG

Your book disintegrates before you finish: WAY TOO LONG

You read it to sleep: TOO LONG

You read it to wake up: WAIT, WHAT?

It’s something you skim during your skateboard routine: HUH?

Built a house with its pages: NOT UP TO CODE

Makes an emergency meal: YUMMY

Makes an great bonfire: PUT IT OUT AT NIGHT

Emergency floatation device: DON’T PANIC

Kills houseflies: LIFESPAN OF THIRTY DAYS

Kills house intruders: MAKE MY DAY

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).

Read Better, Write Better

You’re reading all wrong.

That’s why we’re Writing All Wrong.

Dear Writing All Wrong,

I’d like some advice on the following:

Since I’ve been writing stories I’ve hardly picked up a book to read. Some people have frowned upon me for that. They believe that reading books of successful authors can help you become one yourself. I believe it will only cause me to copy the authors’ methods of success, instead of coming up with a style of my own.

Is it really necessary to read other people’s books to become a good writer?

“That crazy German girl”, Gun Barrel City, TX

For starters, “methods of success” ≠ writing style and voice. And there’s a world of difference between “successful” authors and good authors.

Reading and writing are a balance, if a curious one. Readers who always read, never writing, remain good readers. Whereas writers who always write, never reading, may not even exist.

Reading is an important part of the input/output continuum. Can’t understate that. But let’s stick to the question, poke holes in some myths here.

1) Reading books of “successful” authors will NOT help you become one yourself.

Most “successful” books are crap. Do you want to be known as the author whose books are ones you see in grocery stores? If that were the case, we’d have more “successful” authors, no? Eating a steady stream of Big Macs, McRibs, McChicken Sandwiches, and Land, Sea, and Air McBurgers isn’t getting you closer to profiting off of owning your own McDonalds. So it is with the consumption of any product of “success.”

2) Reading books of “successful” authors will NOT cause you to copy “success.”

At best, you’ll be copying stilted prose, thin plots, and sham characters. That kind of material, for worse or for worser, could influence your voice.

But is influence a bad thing? Not really, because:

3) Reading good books will influence your style for the better. Let it happen.

You derive your style from influences. Take a gander at artists’ Wikipedia profiles. Even comedians have blurbs as to their influences. And who they influenced. Nothing new under the sun; soak it up anyway.

You can derive your economy of style from Saramago, or your expansiveness from Henry James. You can delve into the magical from reading Marquez, or the whimsical from Twain. Set your bar of influence high, and your writing will do better to follow.

Be influenced by artistry, aesthetic merit in writing. Not just “success.”

4) Read other people’s books to be a good writer? No. Read better books to be a better writer.

It isn’t 100% necessary. But it’s worth the effort.

Writing All Wrong can be reached via email (WritingAllWrong@me.com) and followed on Twitter (@WritingAllWrong).